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Children's
Books
In the 1990's, I had a few dozen children's
books published. Most of them are out of print now, but many of them can
be found in stores like Wal-mart or Target. I see them in drugstores,
dollar stores and discount stores.
I enjoyed writing children's books
and may try my hand at it later. For now, I am concentrating on longer
fiction. In the meantime, I have provided my notes from my children's
book class.
Contents
The
Rewards of Writing for Children
It’s important work.
- Children who read when young become
lifelong readers
- Better chance of future academic
pursuits
- American Academy of Pediatrics
suggests reading aloud to children as infants is essential to their
brain development
- Helps children become more successful
in their physical, mental, emotional and spiritual endeavors.
- It helps them understand themselves.
- It helps them understand their
emotions.
- Your stories may have strong moral
implications that will guide them in life.
- They can identify with characters
who help them overcome obstacles.
It’s your legacy.
- You see children reading your books.
- You get the cheap thrill of seeing
your name in print.
- You hope the children learn something
about themselves as they read your books, or as their parents read to
them.
It’s your fifteen minutes
of fame.
- You run into old friends and they
ask, "Do you write children’s books?"
- You get to autograph books.
- You get to go read to classes
of children.
It’s money.
- You can supplement your income,
but don’t quit your day job!
- It’s rare that a children’s
book author lives solely off his or her writing income.
- Sometimes you get an advance and
then royalties; sometimes you just get royalties; sometimes you get
a flat fee.
- Full time writers work at their
craft and also make appearances at schools and other speaking engagements.
- Do what you can with your situation.
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Misconceptions
About Writing for Children
Writing for children is easier than
writing for adults. Because to the special nature of the children’s
book audience and the competition, breaking into the children’s
book market can be just as difficult as breaking into any other writing
market. The writer still needs to pay attention to writing style, character
development and market research.
Misconception: Stories for children
need to teach a moral lesson.
In the past, children’s books may have had the purpose of teaching
a moral lesson, but today’s publishers are looking for stories that
suggest a slice of live or offer hopeful messages. As the author, don’t
preach; instead, tell the truth, tell a story and have fun writing.
Misconception: Since my own kids
like my stories, they must be good enough for publication.
Your own kids may not be a sampling of the children’s market as
a whole. Never say this in your cover letter.
Misconception: I have to find
my own illustrator.
The publisher has a marketing department and an art department that does
all this work. They are paying you for your writing. The good news is
that you don’t have to worry about the illustrations. You can concentrate
on being the best writing you can be.
Misconception: You need an agent
to publish a book.
Beginning writers can find publication in sending unsolicited manuscripts
that publishers find in their slush pile. An agent may not be necessary
until you are a more established writer.
Publishers will steal my ideas.
This does not happen as much as you might think. Check out the Children’s
Writers and Illustrator’s Market for legitimate publishing companies
of children’s books. For peace of mind, place your manuscript in
an envelope, take it to the post office and have it marked as registered
mail—or send it to yourself. The postmark will defend your story
if you need it.
I need to get my manuscript copyrighted.
It is automatically copyrighted by law. Don’t place a copyright
symbol and year on your manuscript. This is another mark of the amateur.
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The
Children's Book Industry
How big is the children’s
book industry?
- Two billion in annual sales
- Half of this is from six publishing
houses: Random House, Penguin Putnam, Golden Books, HarperCollins, Scholastic
and Simon & Schuster.
- 4000 to 5000 children’s
books are published each year
Two types of publishers:
- Trade—aim for bookstores,
schools and libraries
- Mass—aim for supermarkets,
general retail stores
- Trade is more expensive, Mass
is wider audience
Types
of Children's Books
When we think of children's books,
I believe we think first of picture books.
Children's books actually encompasses
a large age group, from birth to around fourteen or fifteen. Of course
the books for children vary with their age group.
There are basic categories for children's
books. Each category can be broken down into sub-categories, but we'll
try and keep it simple.
Picture Books
- Like I said, when we think of
children's books, I believe we think first of picture books.
- Picture book can be defined as
any book produced for children ages 1-7 in which illustration plays
a significant role.
- Picture books are most defined
by the following characteristics:
- 24 or 32 bound book pages;
picture books are the most structured format in the children's book
category; if you have 32 pages, 28 will be for the story; front
matter takes up some; a spread is two pages of an open book together.
- No more than 2000 words long
- Make a dummy; helpful to "page"
a book, that is divide the words by spreads; one way is to break the
pages as you write, indicating page breaks in the manuscript; a better
way is to make a page dummy; dummy does not go to the publisher; editor
has final decision on page break; show manuscript format; don't send
crude illustrations either; making a dummy:
- Tracey E. Dils, You Can Write
Children's Books, pp. 14, 15
- Barbara Seuling, How to Write
a Children’s Book and Get It Published, pp. 79-80
- Narrative and illustrations are
equally important
- Who is the real market for children's
books?
- parents/relatives
- teachers/librarians.
- They are bought and selected by
adults for children
- Story line appeals on two levels--one
for adult and one for children; should appeal to adult's sensibilities
and emotions as well as a child's literal understanding of the world.
- Meant to be read out loud
- Primarily enjoyed by pre-readers,
children from birth through 2nd grade
- Some sub-categories:
- board books (stiff pages, up
to age 2, plotless, usually a series);
- picture book (illustrations
dominate text; oversize format);
- picture story books (picture
books with more text and plot development);
- novelty books (board books,
pop-up books, flap books, holes in pages);
wordless (just pictures);
- concept books (promotes child's
understanding of world; educational-counting, abc's; psychological-helping
to deal with feelings);
- picture strip (comic books
style like captain underwear)
- Subject Matter in picture books:
- whatever looks good in illustration
(no cloud stories!)
- kids themselves; child character
should solve the problem (blanket book story); adults should have minimal
role in story
- glimpse of familiar things (school,
meals, birthday parties, church, rituals like Goodnight Moon, Everybody
Poops)
Easy Readers
and Easy Chapter Books
- These bridge gap between picture
books and novels for older readers
- What’s the difference between
an Easy Reader and an Easy Chapter book?
- Easy Readers are for beginning
readers in 1st or 2nd grade
- Little Bear by Else Minarik
- Cat in the Hat by Dr.
Seuss
- Are You My Mother by P.D.
Eastman
- Easy Chapter Books are for
children who have outgrown the simplicity of easy readers; they
are designed to appear "older"
- Sarah Plain and Tall by
Patricia MacLachlan
- Pizza Pie Slugger by Jean
Marzoll
- 32, 40 or 48 pages
- vary in length, no more than 4000
words (each publisher is different)
- story has kid-appeal, often in
school setting
- more likely to be selected by child
than adult
- meant to be read to child
- enjoyed by children who are developing
their reading skills, kindergarten through second grade
Middle Grade Novels
- Most popular fiction categories
for children; read by 3rd through 6th grades, ages 8-12
- Between 80 and 18 bound bk pgs
- 14,000 - 20,000 words long
- Focus on single main character
who is the same age or slightly older than the intended reader
- Selected by child
- Meant to be read by the child
Young Adult Fiction
- Targeted to children in fifth
through ninth grades; called YA novels; for ages 12 and up
- 128-208 bound book pgs
- Twenty to thirty thousand words
- Focus on single main character
- Meant to be read by child
- Concern identity issues; some serious
topics. Adults may enjoy reading these also; Paul Zindel has written
some classics in this category (The Pigman) as well as Richard Cormier
(The Chocolate War); Girl Interrupted; Holes
Nonfiction
- don't overlook nonfiction; lots
of writing opportunities in children's nonfiction--even more than in
fiction; may be a good place to break into the children's book publishing
world
- The children’s magazine market
is a book place to break into the children’s book industry.
- explore a concept or subject at
a developmentally appropriate level
- illustrated with diagrams and or
photographs
- expertly researched
- directed either toward pleasure
reading or research
- types of nonfiction
- biographies
- how-to/activity books
- science books
- behind the scenes books
- holiday books
- history books
- action (sports)
- museum books (eyewitness series)
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Thinking
Visually
The Good News
You don’t have to illustrate your book or find an illustrator. When
a publishing company buys your manuscript, they own it. They are buying
the right to market it as they see fit. Designing a book includes the
appropriate size of the book, number of pages and illustration style.
The editor, art editor, creative director will plan the layout of the
book. He or she will select an illustrator from their repertoire of artists.
They have established a working relationship with these artists. These
artist usually work on a contract basis from their home studios.
Describing Illustrations
The text of your manuscript should stand alone. The readers should be
ale to understand the basics of the plot by reading the manuscript without
illustrations. Illustrations are visual support. Think about what scene
will make for good illustrations. Think about depicting an action for
a scene, a single activity for illustration purposes.
Marriage of Pictures and Words
Make a dummy so you have an idea of how to break down the book into spreads.
The editor or are director will have their own ideas. Some beginning writers
include too much visual detail in an attempt to control the look of the
illustrations. Remember the illustrator will be interpreting the book
through his or her own talents. Unless it is part of the story, use visual
detail sparingly; instead emphasize the other four senses in your writing.
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Becoming
a Published Children's Book Writer
Go to your local bookstore and
library.
Research these things: become familiar with what kind of children’s
books are being published; the topics and type of stories; who publishes
these books; the sentence structure of the stories; the different age
brackets; anything that familiarizes you with the industry. Take your
time. After several visits, you’ll become familiar with names of
certain publishing companies.
Read books on how to write children’s
books.
See the links below for ideas.
Check out the annual Writer’s
Market.
It is published by Writer’s Digest books. There is one specifically
for children’s book writers and illustrators and it’s as thick
as a telephone book. Also read Writer’s
Digest and Publisher’s
Weekly to keep up on trends in the publishing industry, and especially
the children’s books publishing industry.
Read, read, read children’s
books.
Try and write everyday if you can.
Don’t worry about how good it is. Just write something. If it has
potential, then rewrite it.
Keep a little notebook with you.
Fill it with ideas whenever they pop up(something good may come to you
while sitting in the waiting room for the dentist)
Resources
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